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Серии Клода Моне в исследовательской программе музея Наканосимастатья
Статья опубликована в журнале из списка Web of Science и/или Scopus
- Автор: Ахмыловская Л.А.
- Журнал: Ойкумена. Регионоведческие исследования
- Том: 19
- Номер: 3
- Год издания: 2025
- Первая страница: 138
- Последняя страница: 147
- DOI: 10.63973/1998-6785/2025-3/138-147
- Аннотация: Abstract. This article examines the exhibition of works by Claude Monet organized by the Nakanoshima Museum ofArt (Osaka, Japan) as part of its program commemorating the 150th anniversary of the First Impressionist Exhibition(1874). The aim of the study is to analyze how curatorial practices present Monet’s oeuvre within the framework of thedialogue between Western Impressionism and the Japanese artistic tradition. Methodologically, the article draws on anintertextual analysis of museum exhibition materials and research publications, as well as a critical review of scholarlyliterature on Japonisme in European culture. Particular attention is given to the concept of seriality in Monet’s paintingand its interpretation through the lens of transcultural exchange. The author argues that Monet’s work was not only influenced by Japanese woodblock prints but also became part of a broader process of mutual artistic influence, in whichWestern painters actively reinterpreted the visual and philosophical principles of Japanese art. This article contributesto the study of artistic dialogue between East and West and highlights the role of museum institutions as mediators inintercultural interpretations of art.Key words: museum research programs, international project, methods of preparation and holding of the exhibition,impressionism, Japonism, series of paintingsFor citation: Akhmylovskaia L. A. Claude Monet Series in the Nakanoshima Museum Research Program // Ojkumena. Regional Researches. 2025. Vol. 19. No. 3. P. 138–147. https://doi.org/10.63973/1998-6785/2025-3/138-147
- Добавил в систему: Ахмыловская Лариса Алексеевна