Images of ‘posthumous subjectivity’ in Fedorchenko’s <i>Angels of Revolution</i>статья
Информация о цитировании статьи получена из
Scopus
Статья опубликована в журнале из списка Web of Science и/или Scopus
Дата последнего поиска статьи во внешних источниках: 15 февраля 2024 г.
Аннотация:With a focus on Aleksei Fedorchenko’s Angels of Revolution, the article examines the director’s authorial style and his approach to established hierarchies of representation, specifically folklore, twentieth-century avant-garde art, and official Soviet ideology. Through a narration that lays bare discursive ruptures, Fedorchenko’s film attempts to document a multiplicity of symbolic formations. The article investigates three features of this ruptured narration: first, the multiplicity of symbolic systems; second, the postmodern author as a formal aspect of the text; and third, the filmmaker’s reflections on art and cinema tools for the (re)production of memory.